Two MIT undergrads, Chantine Akiyama and Sue Liang, did this interview with Tod Machover about his SYMPHONY IN D project. It’s fun and refreshing, and conveys their perspective on the project. Tod speaks about the main goals for the project. They include:
First, the music that emerges as the Symphony must be a piece that can stand on its own. It must be an emotional human statement about a place, and a specific one: Detroit.
Second, the Symphony is a research goal. The creation of this symphony is a great way to develop models where all different people of different cultures can come together and care about each other and contribute something. Every individual deserves to be represented and given a voice, and art is fantastic because you can create a model of how you want society to be. Through this project we can create spaces for collaboration and compassion..
Read the full interview here.
Interesting interview on WGBH TV’s “Open Studio” about the VOCAL VIBRATIONS project, including footage from the Cambridge, Massachusetts, installation open through March 21. The interview is from 6:00-14:40 at http://tinyurl.com/OpenStudioTod, followed by a cool chat with Justin Hayward of the Moody Blues who happens to be a friend, a really lovely guy, and is still touring after all these years!!
Download Vocal Vibrations music here.
Check out this terrific interview Barbara Seisel did with Tod Machover about his recently premiered flute concerto, “Breathless.” The article, temporarily available online to nonsubscribers, provides an in-depth look at how the piece was created. Tod talks about how he collaborated with flutist Carol Wincenc, and how he thought about using electronics, how the three-movement work is constructed, and more. Here’s a gem:
In writing the piece I thought a lot about meeting Carol at 16 and trying to reconcile classical, electronic and rock music influences and also remembering back to high school. It’s one of the big moments of your life – you’re going to leave home and go out and make a life for yourself. It’s extremely anxiety producing for many people. I know for me, I felt that everything was possible, that everything I love should be able to find a place in what my life becomes. I really believed that at 16! When I was putting Breathless together it all of sudden struck me that my younger daughter is now exactly the same age as I was when was when I was at Aspen. I’m seeing this feeling again though her eyes now, as she is planning college, how she’s going to pull together all the things that she cares about and that connection in time was really powerful for me. So I think this idea of looking back and remembering how this precious friendship started and what the world felt like then and seeing it again through my daughter is very meaningful.
Read the full article here: Interview with Tod Machover: A composer’s process. By Barbara Siesel
Listen to Breathless here.
Fun TV segment about the Opera of the Future group’s work on FOX TV’s “Exploration Earth 2050″, which aired this past Saturday and is now available on Hulu. The second half of the show – starting at ca. 10:00 – is about DEATH AND THE POWERS, the new Sensor Chair, and other music, technology, and “experience” projects we are working on.
Watch the full episode here.
In-depth, thoughtful interview about the SYMPHONY IN D project for Detroit, with Ann Delisi of WDET, Detroit’s NPR station. Ann covers the background and essentials for this collaborative city symphony. Listen here.
This clip just appeared on Brazilian TV (Cultura TV, São Paulo) about Tod Machover’s LUCERNE SYMPHONY project. They interviewed Tod a few weeks ago when he was at the LUCERNE FESTIVAL, and this has some nice footage and sound of what the team did (and are doing) over there. So check it out and practice your Portugese!!!