Video from Saturday night’s spectacular premiere of FENSADENSE at the LUCERNE FESTIVAL. This segment (shot by me at the back of the hall with my iPhone 6…so not Oliver T. Becker quality:) is substantial (about 9 minutes long) and goes from the middle of our version of Hey Jude (including a saturated freak-out) through the first part of FENSADENSE. The brilliant performers, all alumni from the Lucerne Festival Academy, are Péter Szűcs (bass clarinet), Jack Adler-Mckean (tuba), Lucia Carro Veiga (percussion), Cecilia Bercovich (viola), Holly Nelson (violin), Emilio Guarino (double bass), Justin Lepard (cello), Michael Mahnig (piano), Marina Kifferstein (violin) and Rozenn Le Trionnaire (clarinet). Enjoy!!!!
LUCERNE FESTIVAL ACADEMY Orchestra | Conductor Matthias Pintscher
Tod Machover (* 1953)
A symphony for Lucerne
Commissioned by LUCERNE FESTIVAL | premiere
Wonderful new (short) video about the Hyperscore workshops we are doing in Lucerne as part of the EINE SINFONIE FUER LUZERN project that premieres at this summer’s LUCERNE FESTIVAL. Amazing young people from around the city are working on original compositions that reflect aspects of Lucerne. These will be transcribed for instruments (some transcriptions by the students themselves, a first!), and featured in their own “40-minute Concert” and also incorporated into my Symphony. Check out the clip to see how the process works, and to see how great these young people are…..and how exciting and fresh their music is. Recorded at Jugendmusikschule, Luzern.
A DVD of Dallas Opera’s highly successful 2014 production of Tod Machover’s robotic opera, Death and the Powers, is available beginning April 22 through the MIT Media Lab. Only a limited number of copies are on sale and can be purchased at CD Baby here.
Death and the Powers received its world premiere September 24, 2010 at L’Opéra de Monte-Carlo – Salle Garnier. In addition to the Dallas Opera production, Machover’s opera has been performed at Chicago Opera Theater and at Boston’s Majestic Theater, a joint production with Harvard’s American Repertory Theater and the MIT Media Lab. The work was named a 2012 Pulitzer Prize Finalist in Music for both its score and the innovative technology created by Machover and his Opera of the Future Group at the MIT Media Lab.
“Death and the Powers doesn’t point the way to a new era of opera. It’s there. Now.” Philadelphia Inquirer
“Passionate intensity. Full-bodied arias in a post-organic world.” Wall Street Journal
For more reviews of Death and the Powers, click here.
Here’s a fun piece on Detroit’s WDIV TV on #symphonyind. Hear a bass trombone sound like a car’s accelerator, hear Henry Ford’s first engine, and hear the TV announcer speculate on what the sound of a DRIVER might be on landing in one of Detroit’s ubiquitous potholes!
Watch the video here.
How you can collaborate on the symphony?
We would love to hear from all you Detroiters out there! It’s easy to send in sounds:
- Just download the “Symphony In D” app, record a sound and send it. The app, Symphony In D, is available for free download now in the Apple App Store and on Google Play.
You may also email each sound you record in an separate to firstname.lastname@example.org. Include your name, email, recording location, and any relevant details about your sound in your message.
Here’s the full video of the performance of A SYMPHONY FOR OUR TIMES, the closing event at the World Economic Forum in Davos on January 24th. It’s a kind of compendium of Tod Machover’s City Symphony projects – including glimpses of Toronto, Edinburgh, Perth, Lucerne and Detroit – and it sounds and looks great. Hope you think so as well! Give it a look/listen if you have a chance.