Tag Archives: entertainment

Missing Operabot found!!

OperabotDallasStadium

Photo by Megan Meister, Dallas Opera

One of the operabots from the cast of Death and the Powers went AWOL a few days ago from the Media Lab. It turned up yesterday in, of all places, the Dallas Cowboys Stadium! Apparently it was invited there to help publicize the Dallas Opera’s 2013-2014 season, which will include a simulcast of Turandot this April. Death and the Powers performances are scheduled for February 12, 14, 15 and 16 of next year.

According to the Dallas Morning News, the Dallas Opera’s production of Death and the Powers “will feature baritone Robert Orth as the dying entrepreneur Simon Powers, soprano Joélle Harvey as Miranda, mezzo Patricia Risley as Evvy and tenor Hal Cazalet as Nicholas.

“Employing cutting-edge technology, the production will be directed by Diane Paulus, designed by Alex McDowell and conducted by Nicole Paiement. A partnership with the Perot Museum of Nature and Science will include special exhibits, lectures, demonstrations and workshops.”

Read the full story here: Dallas Opera announces 2013-14 season, ‘Turandot’ simulcast at Cowboys Stadium

More coverage here: Culturemap Dallas: Dallas Opera goes big for 2013-14 season, with another Cowboys Stadium simulcast


Fireworks over Edinburgh

These photos of the firework finale at the Edinburgh Festival are just too spectacular not to share! So, what are some 21st-century ideas for merging music, technology and gunpowder? From Tod Machover’s Facebook album, where he writes:

Had VIP seats for the end-of-Festival fireworks last evening in Princes Gardens just below Edinburgh Castle. Remarkable to see colored fire streaming down from castle as well as shooting upwards. Scottish Chamber Orchestra was conducted by my dear friend/colleague Garry Walker (who premiered “Skellig”). And Walton-VaughnWilliams-Prokovieff program was both bombastic and sensitive. Looks like I might have a chance to “play with fire” at this event next year; we’ll see!!!

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Gizmodo visits Sleep No More NYC

The popular technology blog Gizomodo sent an intrepid reporter to try out the enhanced Sleep No More experience during its beta test run. The result is this rich description of getting lost inside the creepy McKittrick Hotel. Donning a mask that on occasion transmits urgent, mysterious messages to her, she slowly realizes that the set is filled with hidden, interactive zones connecting her to an unseen online companion. This report much more accurately conveys the nature of this immersive theater experience than did the New York Times article last week in which the reporter mostly kvetched about how painful it was to wear the mask (which unfortunately was not designed to be worn over eyeglasses).

Read the full article: Sleep No More: What It’s Like Inside the World’s Most Interactive Play

Courtesy of Gizmodo


Punchdrunk on its Media Lab collaboration

Punchdrunk’s Sleep No More has been connecting real world and online participants through digital channels. Photograph: Punchdrunk

“I have just come to the end of two of the most exciting (and longest) weeks of my career,” writes Peter Higgin, enrichment director at Punchdrunk. Writing in The Guardian, Higgin describes the culmination of the U.K. theater group’s collaboration with our team at the MIT Media Lab to create an online enhancement for the hit New York City theater experience, Sleep No More. Opened just over one year ago, Sleep No More is “an immersive retelling of Shakespeare’s Macbeth, inspired by Hitchcock and set in a 1930s film noir world,” in Higgin’s words.

The project’s aim was “to connect a live Sleep No More audience member to an online companion,” Higgin explains. “We wanted to see if we could create an online experience which lived up to the visceral intensity of the live show and facilitate a shared experience which takes place in both the performance space and a remote user’s location.” The team was awarded a grant from the Nesta Digital R&D fund to develop the project.

The team was embedded in the project for the past several months. Ultimately, they ran over 8,000 feet of cable around the six-story site, creating a network across the building to live stream sound and audio content to both live and online participants. A combination of 10 RFID readers and 50 Bluetooth devices enabled them to track participants’ progress through the space.

During the week of May 14-19, the team ran a live test. “To say it was a glowing success would be inaccurate,” writes Higgin. ” – we were treading a fine line between game and experience, in an already delicately balanced performance.”

“Practically speaking we had too little time, with our Beta testing rolling all too closely into the actual live test period,” Higgins says. “The technology was beginning to do what it should by the end of the week and we found ourselves beginning to make exciting discoveries just as we had to pack up.” Many questions remain to be worked out, Higgins says:

Was it a game? Could the experience be solved? What was my mission? Did you feel connected? Did we need to make things more linear and visible? These were all questions that we have only just begun to interrogate.

We are breathlessly waiting to find out what happens next…

Read the full article: The Guardian: Innovation in arts and culture #4: Punchdrunk – Sleep No More

Related stories


Singapore Photojournal Part 2

Tod has been attending Music Matters, part of the All That Matters conference that just wrapped up in Singapore. Top executives and creatives from major players in the global music industry get to mingle over five days at what conference organizers describe as a gathering of “all that matters in music, entertainment, technology and media.” We previously posted photos of views from Tod’s hotel room (must have been on the 50th floor!). He has since gone out on the town to take in the scene. He sent these pix:

May 24, 2012. Marina Bay Sands at night from the Singapore River – definitely over the top

May 24, 2012. Shop houses along Singapore River with skyscrapers in the background. Wow!

Continue reading


Opera of the Future at Sleep No More NYC

Photo by Sara Krulwich/The New York Times

At last the story can be told! For the past several months, the Opera of the Future team has been cranking away on a top-secret project to create an enhanced version of Sleep No More, the runaway hit theater experience currently playing in New York City. Last week, they beta tested the system with live audience members. Each was paired with an online participant. The twist: Neither knew about the other. We’re not giving away too much by revealing that bit of information, because there remains so much for participants to discover once they are inside the world of Sleep No More. The New York Times Arts blogger Dave Itzkoff reported on his experience in yesterday’s New York Times: A Guinea Pig’s Night at the Theater.

If you haven’t seen Sleep No More, we highly recommend it. Some links:

Sleep No More NYC

New York Times – Slide show

New York Times Interactive – Something Wicked


Singapore Photojournal

Tod is currently attending Music Matters, part of the All That Matters conference going on this week in Singapore. Top executives and creatives from major players in the global music industry get to mingle over five days at what conference organizers describe as a gathering of “all that matters in music, entertainment, technology and media.” They say that this year’s Digital and Music Matters will see “over 1,200 attendees  from over 500 companies including 170 speakers, over 40 sponsors, almost 50 bands and over 5,000 fans.” The accompanying Music Festival looks like a heady mix of artists across Asia, with a sprinkling of bands from Australia, New Zealand and North America. We would love to eavesdrop on a conversation between Tod and Troy Carter, Lady Gaga’s manager! In the meantime, we can vicariously enjoy the view from Tod’s hotel room via his Facebook page.

Sunday, May 20, 2012. Just arrived in Singapore and am blown away by how much this place has grown since I was here 10 years ago. This is the view out of my hotel window. Taking a nap now to ward off jetlag; more later.

Continue reading


Prelude to Toronto – Crowdsourced piano improv

Image: Lisa Grossman

Last week’s experiment at the MIT Media Lab tested out a new system to allow the listening public to express musical preferences to a pianist who responded in real time. Tae Kim’s tour de force of improvisation drew a highly engaged crowd both at the Media Lab and online, as well as some media attention. This story just appeared in New Scientist and describes the scene:

Kim, a graduate of the New England Conservatory, had been playing the piano in the MIT Media Lab’s “Opera of the Future” lab for three and a half hours at the lab’s spring meeting earlier this week. But there was no sheet music on the music stand. Instead, Kim watched colourful bubbles on an iPad that displayed what people watching along online wanted to hear.

The piece was “an experiment in collaborative improvisation”, says composer and lab director Tod Machover. People at home could listen to ten clips of music from Bach to the Beatles and rate their preferences. If listeners said, “This is nice, but I’d like a little more Radiohead and a little less Schubert,” Kim had to respond by improvising in real time.

The event was designed to test a new tool and approach to engage Toronto residents in contributing musical ideas to our current project, ”A Toronto Symphony: Concerto for Composer and City.” Visit the site for more information and to SIGN UP!!

Read the full New Scientist article: Crowdsourced piano-playing lets you choose the tune


Reviews of “Yesterday Happened”

Pianist Tae Kim (foreground) in "Yesterday Happened"

Reviews are starting to pop up for “Yesterday Happened: Remembering HM.” The music is receiving favorable comments! The play runs through May 13. Go and see it!

Boston Globe - Investigating the absence of memory  “…the most inspired element of “Yesterday Happened” happens in the five minutes before the play starts. Pianist Tae Kim rambles from one musical snippet to another — everything from Bach’s “Goldberg Variations” and Beethoven’s “Emperor” Concerto to “As Time Goes By” and “White Christmas” — as if he couldn’t remember any of them for more than a few seconds. During those five minutes, you get a sense of what it’s like to have Henry Molaison’s brain.” (Editor’s note: The Globe review does not mention that Tod Machover composed the music for the play and that this musical “ramble” was in fact composed by him.)

Broadway World BWW Review: YESTERDAY HAPPENED More Science Than Art  “The highlight of this theatrical experience is the musicalization by Composer/Sound Designer Tod Machover, affected brilliantly by Pianist Tae Kim. Classical improvisations infused with variations on popular themes strike chords in our collective memory that imply a sense of what Henry’s mind might have felt like when something tickled his recollection. I heard snippets of “Take Me Out to the Ball Game,” “As Time Goes By,” and a Scott Joplin riff, to mention a few, woven into the music of the prologue. Kim’s accompaniment flows under the play and provides a buoyancy that it otherwise lacks.”

Edge Boston – Review of Yesterday Happened  ”…the play’s score, a mishmash of recognizable classical pieces that emerge, transform, and subside into an ever-shifting musical landscape. (Pianist Tae Kim creates a sonic nebula, a sort of dream made of music, that sets an appropriate mood. Kudos all around to scenic designer Justin Townsend, lighting designer Jeff Adelberg, and composer / sound designer Tod Machover, whose efforts help turn this quite heady play into a visceral experience.”

From Here to There – The Quickening Art ”I was particularly impressed by Tod Machover’s music for the play. It was composed of dozens of tiny fragments of familiar music which were tied together in strange and unexpected ways. Throughout the play, your brain kept waking up and yelling “I know this music”, and then going, “no, nevermind, that’s not it”.”

Nature: Boston Blog - “Remembering HM”: Neuroscience takes the stage at Central Square Theater Yesterday creates a bridge between neuroscience and art that fulfills the production’s mission of “providing artistic and emotional experiences not available in other forms of dialogue about science.” Sitting in the audience, thinking about Henry’s memory revealed a more subtle view of my own memory. I walked out of the theater with a new way of seeing, which is ultimately what good art and good science can do, especially when we put them together.”


Tod Machover to create symphony with city of Toronto

Peter Oundjian, director of the Toronto Symphony Orchestra. Photo by Cylla von Tiedemann

From Tod’s Facebook -

“Next “unusual” project: I’ve invited the whole city of Toronto to join me to compose an orchestra piece, on commission from the Toronto Symphony. I’ll be curating their New Creations festival next season, and this will be a centerpiece. Premiere in March 2013; more info soon. The project was announced today at the orchestra’s press conference for the 2012/2013 season.”

The idea has captured the attention of the Toronto press:

Globe and Mail - TSO to perform a Toronto-made symphony next year

“The Toronto Symphony Orchestra is going to play a Toronto symphony next year, as soon as the citizens have finished offering their input for a new composition about their city.

TSO music director Peter Oundjian announced on Wednesday that he and composer Tod Machover will ask “the entire city to participate in this work that is about, and by, Toronto.” …

Machover, the guest curator of the TSO’s 2013 New Creations Festival, will receive ideas and sound contributions for his piece via the Web, before committing his thoughts to paper in time for a premiere performance in March, 2013. Although Machover has worked extensively in electronic music and digital interactive systems, Oundjian said that “at this point” only traditional symphonic instruments would be used.” Continue reading


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