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Category: Tod Machover

Posted on August 13, 2010September 17, 2010

I Dreamt a Dream! – Machover setting for a Blake poem

Tod Machover composed I Dreamt a Dream! in 2004 for the Young People's Chorus of New York City. When he received the commission to premiere a new work for the YPC's Transient Glory concert series, Tod turned to one of his favorite poets, William Blake, and selected a poem that he felt would speak to …

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Posted on July 30, 2010September 17, 2010

Royal Society for the Arts -The Future of Music

RSA series - Tod Machover in conversation with John Kennedy. In the future will everyone be an artist distributing their work over the Web? The tendency is for the quality to settle in the middle. If artists can engage fully with their audience to critique and guide work, the quality should get better. Is there …

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Posted on July 30, 2010September 17, 2010

Big Thinkers: Tod Machover

Death and the Powers composer Tod Machover talks about his musical vision in the Big Thinkers series on TechTV. Lots of fascinating footage... Part 1 Part 2 Part 3

Posted on July 15, 2010September 17, 2010

Nature interview with Tod

The current issue of Nature features an interview with Tod about Death and the Powers. Because the venerable science journal lacks a music or opera review section (what an oversight!), the interview ended up under Book reviews. In the interview, Tod explains why he has been drawn time and again to creating operas: "With the …

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Posted on July 8, 2010September 17, 2010

Lunch at the Consulate General of Monaco in New York

Yesterday, Tod was invited to lunch at the Consulate General of Monaco in New York as the guest of honor to speak to top members of the U.S. press about Death and the Powers. The event aimed to introduce the press to the Monaco premiere of the opera, as well as interest them in covering Powers …

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Posted on July 3, 2010September 17, 2010

Boston Magazine feature on Machover

Tod is on a media roll this week... here's a terrific article in Boston Magazine - Genius Composition: How professor Tod Machover and a group of MIT scientists are creating the future of music. Here's a quote: "Machover believes the music - not the technology - is the message. And if this means alienating the …

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Posted on July 2, 2010September 17, 2010

Smithsonian Magazine interview: Tod Machover

The just-released 40th Anniversary issue of Smithsonian magazine features a terrific interview with our very own Tod Machover, composer of Death and the Powers. Check it out! Tod Machover on Composing Music by Computer "The inventor and MIT professor talks about where music and technology will intersect over the course of the next 40 years." …

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Posted on June 11, 2010September 17, 2010

Machover and Minsky at World Science Festival

Last week, a crowd gathered under the dome of the Hayden Planetarium in New York City to hear Tod Machover and artificial intelligence visionary Marvin Minsky converse about music and the mind. Tom Ashbrook, host of NPR's On Point, moderated. One take-away that I thought was particularly pertinent to opera was Marvin's opening remark: He …

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Events

May 8, “'Driven into Paradise': Schoenberg in Los Angeles.” Free Zoom hosted by the UCLA Herb Alpert School of Music.

May 18, 19, 20 and 22, 2025. “Schoenberg in Hollywood", an opera by Tod Machover. West Coast premiere at the Leonard Nimoy Theater, Los Angeles, CA.

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Death and the Powers (DVD blu-ray)

Superb blu-ray of the Dallas Opera's 2014 production. “Death and the Powers doesn’t point the way to a new era of opera. It’s there. Now.” - Philadelphia Inquirer

$29.99

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Tod Machover Recordings (click image to order)

 

In SACD, this CD provides an ideal opportunity to savor the richness, subtlety, variety and originality of Machover’s music.

 

 

“…manages to be at once technically rigorous, hard-charging, and hugely visceral.”
– The Boston Globe

 

 

“Mr. Machover’s new quartet, “… but not simpler …,” is a vigorous, exciting study in speediness, full of tremolando figures, racing lines and iridescent passages..”
– The New York Times

 

”A milestone and a noble achievement”
– Lloyd Schwartz, National Public Radio

 

 

 

”…one of the brightest and most intelligent of new American operas”
– Andrew Porter, The New Yorker

 

 

 

“…the music leaves an indelible aural effect upon the ear in its colorful writing, swirling figurations, and immediacy.”
– David DeBoor Canfield, Fanfare

 

 

”…Best of the Year”
– The Boston Globe

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