INK Talk just posted

This video from the talk Tod Machover gave at INK (Kochi, India) last fall was just posted online. Overview of a variety of recent projects including “city symphonies”, and a discussion of doing something similar in India. Check out their post here.


Kennedy Center Award

Tod Machover is awarded the Kennedy Center for the Performing Arts Award for Advocacy in the Arts

Tod Machover receives the Kennedy Center for the Performing Arts Award for Arts Advocacy at a gala at Boston’s Museum of Fine Arts.

The Kennedy Center’s National Committee for the Performing Arts  (NCPA) has awarded Tod Machover with its inaugural Award for Arts Advocacy. The award was presented at the Committee’s meeting in Boston, Massachusetts on September 21, 2013.

“We are proud to present Tod Machover with the inaugural Award for Arts Advocacy,” stated Norine Fuller, Chairwoman of the Kennedy Center’s National Committee for the Performing Arts. “Whether it be in opera, video games or beyond, Tod is devoted to extending musical expression to everyone, from virtuosos to amateurs.”

Read the Kennedy Center’s press release here.

New York Times features Opera of the Future

The M.I.T. Media Lab Opera of the Future group’s work is the subject of a full-page article by Corinna da Fonseca-Wollheim in the August 16th issue of the New York Times. It’s an engagingly written piece that covers the history of Tod Machover’s work in music composition and technology, from hyperinstruments to “Death and the Powers” and ongoing experiments in interactive composition for orchestras. Accompanying the story is a terrific slide show of photographs by Katherine Taylor. Tod’s newest work, “Festival City”, premieres next week, on August 27th, at the Edinburgh International Festival.

Here’s the article: Duet for Composition and Software

Here’s the slide show.

Photo by Katherine Taylor

Photo by Katherine Taylor

Instrumentation for “A Toronto Symphony”

In case you are wondering why Tod didn’t emerge from his barn-studio for the past two months, he was busy orchestrating “A Toronto Symphony.” In this new SoundNotion interview, Tod explains his work process, along with sundry other hot topics from the Media Lab and Opera of the Future. (The interview was recorded over Skype, and you can see bits of the barn in the background.)

A symphony orchestra work has a whole lot of parts! Just to give you an idea, here’s the list of instruments (not including strings) for the piece:


Music + Media Mash-up!!

Music and media are two worlds that are evolving technologically at a head-spinning pace today. How is technology helping or hindering? How has technology itself become the subject for musical and media investigation? And if you want to get really meta, how is technology altering the very profession of being a media commentator about the impact of technology on music and media?

These are the fun and weighty topics that will be unpackaged this Thursday and Friday at the University of Missouri’s “Music and New Media at the Crossroads,”a festival presented jointly by the School of Music and School of Journalism. Tod Machover will deliver the keynote and join cellist Matt Haimovitz in a panel discussion. “Music critics Tim Page (editor of the definitive volume of Glenn Gould’s writings) and Greg Sandow (Juilliard professor and inveterate blogger) will also be there, so it should be a fun event,” says Tod.

Matt will perform a concert Thursday evening that includes works by Tod (“Dadaji in Paradise”, “Vinyl Cello” and “Flora”). The Grammy-winning quartet, eighth blackbird, will give a concert on Friday night.

An article about the festival in the Columbia Daily Tribune opines:

Wherever one is situated on the digital spectrum, this is a dialogue that musicians — and music lovers — cannot ignore or write off as a distraction. The integration of new technologies has always been a necessary consideration for musicians, even at the level of learning how to play and write for newly fashioned instruments, said Jonathan Kuuskoski, director of entrepreneurship and community programs at the School of Music. He pointed to Bach’s initial rejection of the fortepiano as an example of great artists wrestling with changing norms.

“It’s always been part of the discussion, so to think that stops or to take a stance and say new media is not part of this would probably be a mistake,” he said.

Oxingale Records

Read the full article here: MU festival explores ties between music, new media

Celebrating the spirit of Glenn Gould

Reposted from A Toronto Symphony

This weekend, Tod will join 50 other presenters (from Robert Wilson to Atom Egoyan to Lang Lang!) at the University of Toronto’s Convocation Hall for an extraordinary gathering of “Dreamers Renegades Visionaries” to celebrate the 80th anniversary of the iconoclastic pianist and boundary breaker’s birth. Check out this terrific article about the event in Whole Note (“Spinning Gould – 30 years after”).

Tod is scheduled to speak and perform at 5pm on Saturday, the 22nd. He posted this photo on Facebook this morning and gave a hint about what he’ll be presenting:

Here is my cello resting this morning in our barn outside of Boston, preparing to travel to Toronto tomorrow for the big Gould event. I’ll be playing the solo cello (something I don’t do often these days, but am happy to do to pay homage to Gould) to “shed a light” on – and make connections between – shards of music hidden in hundreds of sound images sent from Toronto as part of my A Toronto Symphony project …I promise it will be unusual:)

Listen to this teaser from Tod’s montage of sounds of Toronto –

Photos from Edinburgh

Composer Tod Machover swung through Edinburgh this past weekend to meet with Festival organizers. Looks like he also found time to explore the city. Here are some photos from Tod’s Facebook album, with his comments! Click on the photos to enlarge.