From the New York Times, Feburary 24, 2014 Vocal Vibrations. Le Laboratoire, Paris. Opens March 28. Free. From the people who brought you inhalable chocolate, here comes a high-tech singalong. Visitors start in a chamber filled with ethereal music by the composer Tod Machover. When they wander into a private “cocoon” designed by Neri Oxman, they can sing while …
Juilliard Journal interviews Tod Machover
The current issue of the Juilliard Journal is devoted to "Technology and the Arts," a bold, good move for this bastion of traditional classical music! The issue includes an interesting interview with Tod Machover. Tod discusses how he first became intrigued by computers when he was studying composition at Juilliard, how he arrived at IRCAM …
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Vocal Vibrations, coming soon to Paris
First announcement of Opera of the Future's new VOCAL VIBRATIONS installation, opening at Le Laboratoire in Paris on March 27, 2014 and coming to Cambridge (Mass.) in fall 2014. Get a glimpse at the Le Laboratoire website; more info soon!
Photos from Rio
Just posted on Tod Machover's Facebook: Sunday morning in Rio. Got here yesterday morning; first time here. Overwhelmed, beyond words. Sensuality and complexity, beauty and squalor, sophistication and simplicity...all not just side by side but interwoven, and absolutely enwrapped, as the sea sweeps across the land, the hills are everywhere, and favelas climb up and tumble …
New York Times features Opera of the Future
The M.I.T. Media Lab Opera of the Future group's work is the subject of a full-page article by Corinna da Fonseca-Wollheim in the August 16th issue of the New York Times. It's an engagingly written piece that covers the history of Tod Machover's work in music composition and technology, from hyperinstruments to "Death and the …
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City to light up for “A Toronto Symphony”
The Opera of the Future team has been sleepless in Toronto, frantically finishing the audio and visuals that will accompany the world premiere of "A Toronto Symphony" whilst squeezing in rehearsals in between New Creations Festival performances. Tickets are available here. The spectacle will spill out beyond the confines of Roy Thomson Hall to take …
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Rehearsal Pics – “Jeux Deux”
The Toronto Symphony's New Creations Festival opens today! With Machover as guest-curator, the 2013 New Creations Festival takes a suitably technology-driven perspective, exploring the evolution of music from past to future with a selection of boundary-bending works which bring the past to the present and redefines the instruments of an orchestra. The Festival opens with the …
Instrumentation for “A Toronto Symphony”
In case you are wondering why Tod didn't emerge from his barn-studio for the past two months, he was busy orchestrating "A Toronto Symphony." In this new SoundNotion interview, Tod explains his work process, along with sundry other hot topics from the Media Lab and Opera of the Future. (The interview was recorded over Skype, and you …
Hyperscore in Action: A-to-A Project
One of the core ideas in Hyperscore, the composing software developed by Tod Machover's team at the M.I.T. Media Lab, is that music is built from "motifs" - small melodies and rhythm patterns - which are assembled into larger musical structures. In this video, Tod coaches a groups of children in Armenia and the U.S. as …
Gramophone Reviews Tod Machover’s latest CD
The venerable Gramophone, which bills itself "The world's unrivalled authority on classical music since 1923," just came out with an excellent review of Tod Machover's most recent CD, "...but not simpler..." The review notes that Machover's technological innovations, such as Hyperinstruments and Hyperorchestra, "have crucial and winning impacts on the expressive possibilities of Machover's music, as can …
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