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Tag: meditation

Posted on April 6, 2014April 6, 2014

Bowers & Wilkins on Vocal Vibrations

Bowers & Wilkins has posted a blog article that details the role of their technology in "Vocal Vibrations". The immersive installation featuring music by composer Tod Machover and design by Neri Oxman opened on March 27th at Le Laboratoire in Paris. The project examines the relationship between human physiology and the resonant vibrations of voice. Vocal …

Continue reading "Bowers & Wilkins on Vocal Vibrations"

Posted on April 2, 2014

Photos from Paris

Photos just in from the opening of VOCAL VIBRATIONS a few days ago in Paris. Here are a few to give a taste; will post more soon. The installation is on at Le Laboratoire through September, so I hope you'll have a chance to experience it between now and then.http://www.lelaboratoire.org/en/archives-18.php (9 photos)

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Events


Thursday, February 17, 6:30 pm GMT. Piercing Silence, recital with Charlie Lovell-Jones, violin, and Julian Chan, piano , at Angela Burgess Recital Hall, Royal Academy of Music, world premiere of Tod Machover's Resolve Remote.

April 9, 2022. Schoenberg in Hollywood, premier at Volksoper Wien, Vienna, Austria. Additional performances on April 11, 13, 16, 18, 19, 22, and 24.

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Death and the Powers (DVD blu-ray)

Superb blu-ray of the Dallas Opera's 2014 production. “Death and the Powers doesn’t point the way to a new era of opera. It’s there. Now.” - Philadelphia Inquirer

$29.99

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Tod Machover Recordings (click image to order)

 

In SACD, this CD provides an ideal opportunity to savor the richness, subtlety, variety and originality of Machover’s music.

 

 

“…manages to be at once technically rigorous, hard-charging, and hugely visceral.”
– The Boston Globe

 

 

“Mr. Machover’s new quartet, “… but not simpler …,” is a vigorous, exciting study in speediness, full of tremolando figures, racing lines and iridescent passages..”
– The New York Times

 

”A milestone and a noble achievement”
– Lloyd Schwartz, National Public Radio

 

 

 

”…one of the brightest and most intelligent of new American operas”
– Andrew Porter, The New Yorker

 

 

 

“…the music leaves an indelible aural effect upon the ear in its colorful writing, swirling figurations, and immediacy.”
– David DeBoor Canfield, Fanfare

 

 

”…Best of the Year”
– The Boston Globe

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