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Tag: Noam Chomsky

Posted on May 8, 2020

Now on YouTube, “Chomsky Suite”

https://www.youtube.com/watch?v=ZXfXy771K8w Chomsky Suite (2011) was composed by Tod Machover for Noam Chomsky and the Kronos Quartet as part of the FAST Festival in celebration of MIT’s 150th anniversary. It was premiered at MIT’s Kresge Auditorium on April 11, 2011 during the Festival’s New Music Marathon, curated by Evan Ziporyn. Machover says of the work: “I …

Continue reading "Now on YouTube, “Chomsky Suite”"

Posted on April 8, 2011

New Machover piece to be premiered April 15

For the past several months, Tod has been meeting with M.I.T. linguist and political activist Noam Chomsky to explore ideas for a new piece, centered particularly around the influence of music in Chomsky's life and work. The project originated with David Harrington, violinist for the Kronos Quartet, who reached out to Chomsky after hearing him …

Continue reading "New Machover piece to be premiered April 15"

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Events


Friday, May 8, 7:00 PM EDT. Chomsky Suite , with the Kronos Quartet and Noam Chomsky, streamed.

Saturday, May 9, 7:00 PM EDT. A Toronto Symphony, MIT Symphony Orchestra, streamed.

Saturday, May 16, 8:00 PM EDT. Philadelphia Voices, Philadelphia Orchestra with Yannick Nézet-Séguin, streamed.

Rescheduled to 2021/2022 season. Schoenberg in Hollywood, Volksoper Wien, Vienna, Austria

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Death and the Powers (DVD blu-ray)

Superb blu-ray of the Dallas Opera's 2014 production. “Death and the Powers doesn’t point the way to a new era of opera. It’s there. Now.” - Philadelphia Inquirer

$29.99

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Tod Machover Recordings (click image to order)

 

“…manages to be at once technically rigorous, hard-charging, and hugely visceral.”
– The Boston Globe

 

 

“Mr. Machover’s new quartet, “… but not simpler …,” is a vigorous, exciting study in speediness, full of tremolando figures, racing lines and iridescent passages..”
– The New York Times

 

”A milestone and a noble achievement”
– Lloyd Schwartz, National Public Radio

 

 

 

”…one of the brightest and most intelligent of new American operas”
– Andrew Porter, The New Yorker

 

 

 

“…the music leaves an indelible aural effect upon the ear in its colorful writing, swirling figurations, and immediacy.”
– David DeBoor Canfield, Fanfare

 

 

”…Best of the Year”
– The Boston Globe

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