A pleasant surprise arrived in the mail this week: Opera News in its May 2014 issue gives the Dallas Opera's production of Tod Machover's "Death and the Powers" a glowing review. Writer Andrew Sigler praises the opera as "a big work with big ideas," and notes that "Machover brings to bear his considerable technical prowess …
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Congratulations to the cast, crew and incredible team that pulled off last night's flawless opening night performance of the Dallas Opera's production of "Death and the Powers"!! Much relief all around that the Operabots, moving walls and chandelier were all in splendid working order after three years in the warehouse. Reviews are coming in! The …
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THE DALLAS OPERA PRESENTS OPERA ON A WORLD STAGE! Death and the Powers: THE GLOBAL INTERACTIVE SIMULCAST ~~~~ SUNDAY, FEBRUARY 16, 2014 AT 2:00 P.M. (Central Time) THE MARGOT AND BILL WINSPEAR OPERA HOUSE AT THE AT&T PERFORMING ARTS CENTER, DALLAS TX ~~~~ Remote locations throughout …
Here's an insightful article about Tod Machover in the October issue of Opera News. Written by Philip Kennicott, Pulitzer prize-winning critic for the Washington Post, the article delves into the evolution of the music and gets to the heart of what the operas are about. Refreshing! Some great quotes: "…Machover, voluble and friendly in person, confounds expectations. Valis, …
The New Vilna Review interviews poet and librettist Robert Pinsky on the theme of death and immortality in Death and the Powers, the character of Simon Powers, and the role Jewish identity plays in his life. Read the full interview here.
Tuesday evening's "I Sing the Body Electric" event, featuring composer Tod Machover, former U.S. Poet Laureate Robert Pinsky and Pulitzer-winning music critic and poet Lloyd Schwartz, garnered an enthusiastic write-up by Daniel E. Levenson, ALM, publisher and editor-in-chief of the New Vilna Review. The disucssion centered on the new opera Death and the Powers, composed …
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There's an excellent feature article in the current issue of The Jewish Advocate describing tomorrow night's program with poet laureate Robert Pinsky and composer Tod Machover. The event, titled "I Sing the Body Electric", is sponsored by the New Center for Arts and Culture and will take place at 7:30pm on Tuesday, December 7, 2010, …
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I Sing the Body Electric December 7, 7:30 pm Arsenal Center for the Arts in Watertown, MA. Composer Tod Machover and poet Robert Pinsky talk about making art in the age of new technology. Hailed as “America’s most wired composer,” Machover is transforming classical music and opera, mixing cocktails of music, dance, theater, and high-tech …
BU Today has posted a story about Robert Pinsky: Robot, of Thee I Sing Pinsky’s words help put technology in innovative opera. In the article, Robert talks about how he became involved in the project and discusses the differences between writing poetry and writing for opera. Composer Tod Machover says “I have been constantly delighted …
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Prologue Obscurité. Les robots roulent, oscillent, and glissent sur la scène en groupe puis se dispersent en différentes unités. Quatre robots émergent du pack et commencent à parler. Dans leur dialogue, les robots essaient de comprendre le sens du mot « mort , » un concept étrange auquel ils sont confrontés dans un drame qui …
Opera of the Future 