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Tag: Western Australia

Posted on February 17, 2014

Check out these fun Perth sounds!

There is a fun piece in The Guardian today about Tod's upcoming symphony orchestra piece for Perth:  Flies, crows and crashing waves: the sounds that define Perth: Tod Machover is creating a symphony for Perth. Or, more precisely, a symphony with Perth. Between a Desert and the Deep Blue Sea, which will premiere on March 1, …

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Posted on February 9, 2014February 8, 2014

Perth symphony in The Limelight

Tod Machover explains the ideas behind his series of collaborative "city symphonies" in this article he penned for the classical music publication The Limelight: I have embarked on a series of “city symphonies” with the idea of creating musical portraits of places, inviting the collaboration of the people who live there. Toronto (Toronto Symphony Orchestra) …

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Events


Thursday, February 17, 6:30 pm GMT. Piercing Silence, recital with Charlie Lovell-Jones, violin, and Julian Chan, piano , at Angela Burgess Recital Hall, Royal Academy of Music, world premiere of Tod Machover's Resolve Remote.

April 9, 2022. Schoenberg in Hollywood, premier at Volksoper Wien, Vienna, Austria. Additional performances on April 11, 13, 16, 18, 19, 22, and 24.

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Death and the Powers (DVD blu-ray)

Superb blu-ray of the Dallas Opera's 2014 production. “Death and the Powers doesn’t point the way to a new era of opera. It’s there. Now.” - Philadelphia Inquirer

$29.99

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Tod Machover Recordings (click image to order)

 

In SACD, this CD provides an ideal opportunity to savor the richness, subtlety, variety and originality of Machover’s music.

 

 

“…manages to be at once technically rigorous, hard-charging, and hugely visceral.”
– The Boston Globe

 

 

“Mr. Machover’s new quartet, “… but not simpler …,” is a vigorous, exciting study in speediness, full of tremolando figures, racing lines and iridescent passages..”
– The New York Times

 

”A milestone and a noble achievement”
– Lloyd Schwartz, National Public Radio

 

 

 

”…one of the brightest and most intelligent of new American operas”
– Andrew Porter, The New Yorker

 

 

 

“…the music leaves an indelible aural effect upon the ear in its colorful writing, swirling figurations, and immediacy.”
– David DeBoor Canfield, Fanfare

 

 

”…Best of the Year”
– The Boston Globe

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