“Death and the Powers” Global Simulcast details revealed

From Press Release: The Dallas Opera launches an unparalleled new initiative combining opera and technology with the first-ever global interactive simulcast of an opera. Death and the Powers, written by acclaimed American composer, inventor and professor at the MIT Media Lab, Tod Machover, receives its Dallas Opera premiere performances in the Margot and Bill Winspear Opera House at the …

Vocal Vibrations, coming soon to Paris

First announcement of Opera of the Future's new VOCAL VIBRATIONS installation, opening at Le Laboratoire in Paris on March 27, 2014 and coming to Cambridge (Mass.) in fall 2014. Get a glimpse at the Le Laboratoire website; more info soon!

21c Liederabend (Reviews)

Last week's 21c Liederabend at the Brooklyn Academy of Music garnered some media attention. Here's the New York Times' review: A Wink Toward Tradition in a Modern Evening. Public radio station WNYC provided a preview and aired "Sophia's Aria" from Tod Machover's opera VALIS. Listen here: A Modern Liederabend. This year's 21c Lieberabend included a performance of …

Birthday tributes

Tod Machover just celebrated a milestone birthday, and friends and former students submitted some inventive musical tributes. Here are the "Brain Opera Rap" by Eric Metois, an untitled piece by Robert Rowe, and "SoftHyperBrainPowers" by Joe Paradiso. Enjoy!

Resurrection: Act 2 Scene 2 – Finale

Resurrection captures an unusual love story between Prince Nekhlyudov (Scott Hendricks) and the serving girl Maslova (Joyce DiDonato). Though divided by class, their fates become intertwined when the Prince sits on the jury that unjustly condemns the young woman to prison. Despite a merciless justice system that does not allow for second chances, an amazing story of courage and redemption …

Mulling Montaigne

From Tod Machover's Facebook page: Am thinking about Michel de Montaigne today, in preparation for a trip to Montréal tomorrow to discuss a project based on Montaigne's work. Montaigne invented the "essay" in the late 16th century, and his bold, undogmatic and unpretentious writings remain as fresh today as when they were first published. Can't find …