We were pleased to discover the Boston Musical Intelligencer, an erudite and elegant blog edited by pianist and musicologist Robert Levin and devoted to the classical music scene in Boston. They recently published a highly informative article about Tod Machover and his new opera, Death and the Powers. The article delves deeply into Tod's musical …
Boston Phoenix – “High tech meets high anxiety”
Journalist Chris Dahlen hung out in the Cutler Majestic Theater during rehearsals of Death and the Powers last August, just before the set was shipped off to Monaco for the opera's world premiere. His story in the current Boston Phoenix reports in detail on the numerous technological innovations in the opera. It's an entertaining account …
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Time Out Boston interviews Tod Machover
Which film robot is the favorite of Death and the Powers composer Tod Machover? What came first in the creation of the opera - the technology or the concept? And where does baritone James Maddalena, who sings the role of Simon Powers, go when he disappears from the stage? How would Tod characterize his music? …
A radical new approach to live performance
Here's another excellent article about Death and the Powers from Variety. This one sheds light on how composer Tod Machover and production designer Alex McDowell thought about rendering the character of Simon Powers through the elements of the stage design and the development of "Disembodied Performance" technology. "Machover sees applications for this technology in large …
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Nice shout out on Stuff at Night!
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Christian Science Monitor delves into Death and the Powers
There's an excellent article, "A thoroughly modern opera: Robots enter a new frontier," just out by writer Gregory Lamb in the Christian Science Monitor. Through his interviews with the creative team, Lamb helps to explicate the many layers of meaning in the technological wizardry of Death and the Powers. Lamb writes, "all this technology, some …
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Preview: Scene 7 – Into The System
Everything—the walls, The Chandelier, the robots—is working together. Simon seems to be everywhere, inhabiting them all, omnipotent. Evvy finally removes the headphones and tells Nicholas and Miranda that she has been channeling Simon: “I’ve been listening to Simon. It’s like when we fell in love … You can jump. You can fall forever, and do …
Preview: Scene 6 – The World Reacts
A new, stranger atmosphere: Miranda, Nicholas, and Evvy are apparently accustomed to it. Evvy is now wearing headphones, swaying a little as if to music, nodding and tilting her head as though channeling Simon’s presence. A delegation from the outside world—composed of The United Way, The United Nations, and The Administration—arrives and wishes to speak …
Preview: Scene 5 – Nicholas and the Robots
Nicholas is in his lab, inhabited by the robots he has been building as part of The System. The robots start moving to the music emanating from the walls, then come to life and start dancing with Nicholas. Miranda is archiving and exploring The System, and is also reflecting on life outside the family compound …
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Preview: Scene 4 – Evvy’s Touch
It is the middle of the night. Evvy enters in a daze, as in a dream, sleepwalking. Simon now inhabits The Chandelier, which vibrates with delicate music. They share a memory. Evvy asks, “Simon, do you remember the first time we danced?” and vivid sensory details of the experience come flooding back to them both. …
Opera of the Future 