By iPhone from Tod: "I just got to my hotel in Paris after a very delayed (air traffic controller strike:) flight from Nice and the longest taxi line at Orly airport that I've ever seen (and that's saying a lot!!!). About to go to sleep so I can get up early and be at the …
Continue reading "Through Tod’s camera lens – September 15, 2010"
Soprano Sara Heaton is a semi-finalist in this year’s Competizione dell’opera in Dresden, was a finalist in the 2010 Giulio Gari competition, and a regional finalist in the Metropolitan Opera competition in 2008. She had her professional opera debut as Despina in Così fan tutte with the Boston Baroque orchestra, led by conductor Martin Pearlman. …
Continue reading "Meet the Artists: Sara Heaton (understudy for Miranda)"
It's hard to believe so many things about being in Monaco. The fact that we're staying above the Fairmont Hairpin, the most famous loop of the Monaco Grand Prix, or that we get to live and work every day right along the glistening Mediterranean Sea, or that we're even here in Monaco at all - …
Matt Checkowski is a busy guy. A graphic designer by training, he moved into film by "sneaking in the back door" at a design company in LA called Imaginary Forces, where he spent his time working on various experience design pieces that eventually led him to spend a year creating the dream sequences in Steven …
Continue reading "Interview with Matt Checkowski – Media Content Designer"
Choreographer Karole Armitage's role in Death and the Powers was to create the human and technologic gestures and movements that would embody the story and emotion of the opera. Although Karole has worked with as diverse a range of performers as any choreographer - from elite classical ballet dancers to pop stars like Madonna and …
Continue reading "Meet the Artists – Karole Armitage (Choreographer)"
Just to give you an idea of what else Tod is up to, as though he weren't busy enough already with Death and the Powers premiering in (gulp!) two weeks!
Prologue Obscurité. Les robots roulent, oscillent, and glissent sur la scène en groupe puis se dispersent en différentes unités. Quatre robots émergent du pack et commencent à parler. Dans leur dialogue, les robots essaient de comprendre le sens du mot « mort , » un concept étrange auquel ils sont confrontés dans un drame qui …
Prologue Darkness. Robots roll, lurch, and glide onstage as a group and then disassemble into separate units. Four robots emerge from the pack and begin to speak. In their dialogue, each robot tries to understand the meaning of the word “death,” a strange concept they encounter in a drama left behind by their human creators. …
Alex McDowell is one of the most innovative and influential designers working in narrative media, with the impact of his ideas extending far beyond his background in cinema. Alex advocates an immersive design process that acknowledges the key world-building role of design in storytelling. He currently serves as adjunct professor at the Interactive Media Department/School …
Continue reading "Meet the Artists – Alex McDowell (Production Designer)"
Here's a breathtaking video of Evvy's "Touch Me" aria from Scene 4 of Death and the Powers. Mezzo soprano Patricia Risley sings the role here during rehearsal at the Cutler Majestic Theater in Boston, MA, August 2010. She will perform the role of Evvy in the world premiere of Death and the Powers on September …
Opera of the Future 