Those fun-loving folks at the Chicago Opera Theater think it's not enough to upload oneself into The System. For a full digital reincarnation these days, you need to get animated. (Just ask Robert Pinsky, who has attained his animated apotheosis on The Simpsons.) So here it is, the Powers family drama, as told by animated …
Boston Globe spotlights Operabots
Here's a charming article in the Boston Globe that focuses on the creative and technological efforts that went into the "operabots" in Death and the Powers. The article reveals how director Diane Paulus and choreographer Karole Armitage latched on to some early technical quirks and glitches and used them to imbue the operabots with dramatic …
A radical new approach to live performance
Here's another excellent article about Death and the Powers from Variety. This one sheds light on how composer Tod Machover and production designer Alex McDowell thought about rendering the character of Simon Powers through the elements of the stage design and the development of "Disembodied Performance" technology. "Machover sees applications for this technology in large …
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Science Friday features Death and the Powers
NPR's popular weekly program, Science Friday, this week put a spotlight on Death and the Powers. Composer Tod Machover talks about his desire to use technology to amplify rather than diminish the live human presence in musical performance. You can listen to the podcast here (click on the audio player in the upper left-hand corner). …
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Death and the Powers Preview Series
Here's the complete preview series in one convenient package. Each section includes a synopsis of that scene, a short video excerpt, and the full text of Robert Pinsky's libretto. These are a great way for audiences to prepare to see the live performance. Series Intro and Prologue Memory Download Scene 1: Simon and the System …
Nice shout out on Stuff at Night!
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“Guitar Hero Goes to the Opera” – The Atlantic
"The story is as old as humanity itself. A man—in this case a successful businessman—grapples with his own mortality and wants desperately to leave a legacy after he dies. But this story has never been told as composer Tod Machover tells it." So begins this excellent article about Death and the Powers, just out in …
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Tod Machover and Diane Paulus at “On Point”
Tom Ashbrook, host of the radio talk show "On Point", conducted a terrific interview today with Death and the Powers composer Tod Machover and director Diane Paulus. The conversation delved into whether today's technology has transformed the age-old human desire to conquer death into a quest that seems plausible and possibly even attainable in the …
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Christian Science Monitor delves into Death and the Powers
There's an excellent article, "A thoroughly modern opera: Robots enter a new frontier,"Â just out by writer Gregory Lamb in the Christian Science Monitor. Through his interviews with the creative team, Lamb helps to explicate the many layers of meaning in the technological wizardry of Death and the Powers. Lamb writes, "all this technology, some …
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Preview: Scene 8 – Miseries, Memory, and Miranda
Miranda is surrounded by a parade of the world’s Miseries: the victims of famine, torture, crime, and disease. In the wake of the Miseries, the figure of Simon, in some version or simulacrum of his human body, emerges from the shadows. Miranda and Simon have a final confrontation, in which Simon explains why he chose …
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Opera of the Future 