The Boston Globe's review of Death and the Powers should generate some conversation! Critic Jeremy Eichler offered high praise for most aspects of the production: "Much of Machover’s music, his soaring vocal writing, and especially some of his sculpted electronic soundscapes, are highly imaginative and quite compelling. Robert Pinsky’s libretto is often deft, and the …
Boston Globe spotlights Operabots
Here's a charming article in the Boston Globe that focuses on the creative and technological efforts that went into the "operabots" in Death and the Powers. The article reveals how director Diane Paulus and choreographer Karole Armitage latched on to some early technical quirks and glitches and used them to imbue the operabots with dramatic …
Opera of the Future 